the Clarene’s laid claim to fairy tale compilations and I heartily agree to adopt this headcanon. However, I haven’t felt like doing a cover-to-cover read of my copy of the Grimm fairy tales, to gather familiar symbolism and maybe spark some insight.
So, I’ve started doing bibliomancy instead, that is, taking the book, letting how I randomly feel like turning to some random page, and paying attention to whatever random line on that page that I randomly feel like reading.
Figuring this out has been an adventure in thinking about how I think about it.
“What a beautiful bird I am!”
For example, that line from “the Juniper Tree”. Is it the Laetha catching me away from a communion I’d set out with the Clarene again, or the bluebird Sky Ophelia, or the first Dierne because of the singing? Or is it a fairy tale of solace because of the simply-told yet unfathomably complicated position of the enabler/victim, the favored younger daughter of an abusive stepmother, who in some versions is named Marleen and in others Anne-Marie (like one of the ghosts who haunt the Laetha’s mansion)? The Moth Diaries film has the vampire-ghost Ernessa sing a version of this fairy tale’s song to the tune of Roud Folk Song Index #13190 (wouldn’t give up a millstone for that, personally,) where I first heard it, though I didn’t know that it was from this tale, or what it meant. Do I incorporate that association in my intuitive process?
My intuitions settled on the story itself being a message that, in a post-truth world, it’ll still all work out.
She had a fairy looking-glass, to which she used to go, and then she would gaze upon herself in it, and say:
Sometimes I read ahead or behind, enough that it makes more sense simply as text.
“Tell me, glass, tell me true!
Of all the ladies in the land,
Who is the fairest, tell me, who?”
There we go.
My version’s big on stepfamily conflicts, I know the original Snowdrop or Snow White had some very flabbergasting animosity between the biological mother who wished for a beautiful daughter and the beautiful daughter that the now murderously envious mother wished for in the first place. As this is the first instance of that rhyme, is the mirror’s answer an affirmation of self-love, just taken in isolation from the rest of the story? Or is it a calling to Mirror Work, taken in isolation from the rest of the story and associated to Otherfaith? Or ought I take this passage as an omen against self-absorbed obsession that gets taken out on innocent wee princesses, and is this my own self-absorbed obsession to be wary of or is it somebody else’s?
The moon shone brightly, and the white pebbles which lay in front of the house glittered like real silver pennies.
Hansel collecting markers for a trail back home before (as ey well knows) eir parents abandon em and eir sibling Gretel. It reads like an encouraging thing, out of context. I also parallel this with “the Juniper Tree” in the positive brother-sister bonds. Hansel and Gretel work as a team: though Hansel’s the planner and implementer of the operation the first couple of times, it’s Gretel who defeats the ‘final boss’ when Hansel’s locked up. With Anne-Marie and the unnammed brother, they’re more a team in terms of deciding when compassion or retribution are appropriate.
Bibliomancy interpretations haven’t gotten so very methodical to me, yet, right now I’m just flipping the pages around, and dipping back into the classic tales that way.